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“5 Fall Makeup Must Haves By Celebrity Makeup Artist David Maderich”

by Serafinosays on September 12, 2012

Photographer: Julia Pogodina / Makeup: David Maderich

Written By: Celebrity Makeup Artist @DavidMaderich… AKA Mister Makeup
It’s finally fall, darling.  Time to put the bronzer and self-tanner on the shelf and update your cosmetics bag.  Read my top five tips to welcome fall 2012.
5 Fall Makeup Must Haves:
MERLOT LIPS
If you add one new beauty item to your purse this season, let it be Merlot hued lips.  Deep wine lips look good on everyone.  Be sure to use a brush or pencil to keep the dark shade precise and neat.  Keep the rest of your face bare – clean skin and mascara – for full impact. Try Lancome L’Absolu Rouge in Merlot
PEACOCK COLORED SHADOWS
Bright colored eyes were all the rage on the runways for fall 2012.  Choose bright blues, royal purples and lush lavenders.  How to wear bright color? Wrap the entire eye in shadow for a colorful smoky eye or for the color timid, use a bright hue as eyeliner for subtle fall flair.  Try Benefit Creaseless Cream Shadow
WINGED EYELINER
Winged eyeliner adds instant sophistication and drama to any look.  Black liner is de rigueur, but a colored liner will add instant fun to your look.  How to get perfect wings?  Hold a credit card at an angle at your outer eye and draw you line – instant perfect wings. Try MAC Cosmetics Liquidlast Liner in black. 
BLUE MASCARA
Black mascara is a fashion staple, but this fall colored mascaras are the talk of the town.  I like to match my colored shadow to my colored mascara for a chic disco monochromatic feel.  For more subtle results, tip your lashes with colored mascara for extra zing.  Try Diorshow Mascara in Azure Blue.
NUDE FACES
With color making such a bold statement this season, keep the skin clean and fresh.  Yes, nude faces are a must. No more flushed cheeks  – try subtle beige’s or taupe’s to contour and highlight the cheeks. Try NARS Blush in NICO.
For more makeup tips make sure to follow Mr.Makeup on Twitter @DavidMaderich
*David has been a freelance makeup artist for 10 years. His work has appeared in Vogue, Elle, Tatler, GQ, Glamour, Esquire, Rolling Stone, Vanity Fair, Surface, and The New York Times. He has groomed the faces of Prince, Bruce Springsteen, Brad Pitt, Tim Gunn, Carmen Electra, Pink, Mary Kate Olsen, Dave Mathews Band, Nancy O’Dell, Justin Chambers, Ricki Lake, Drew Barrymore, Giselle, Kim Basinger, Patti Labelle, and Joan Collins—as well as hundreds of models. His advertising work includes Avon, Target, General Motors, Macy’s, Geoffrey Beene, Marshall Field’s, Pepsi Cola, General Mills, 3M, Victoria Secret, and Timex Watches.

“True beauty isn’t about perfection. By liberating people to realize this simple fact, we help them see the real beauty within themselves.” Kristan Serafino

Hair News Network

Giants Deal With Loss: Assistant’s Mustache

 EAST RUTHERFORD, N.J. — Kevin Gilbride’s mustache, a legendary lip adornment that won two Super Bowl championships and was respected as one of the most enduring examples of responsible facial hair in sports, died last month in a shaving accident at the Giants’ practice facility here. It was believed to be about 41. 

Nathaniel Brooks for The New York Times

The offensive coordinator Kevin Gilbride in 2010.

Gilbride, the offensive coordinator of the Giants since 2007 and a football coach since 1974, confirmed the death in an interview Thursday by pointing to his face. The cause was an inadvertent cutting of half the mustache when Gilbride, 61, was momentarily distracted by something a fellow coach said as he was performing some routine trimming in the days leading up to the Giants’ Aug. 24 preseason game with Chicago. 

Left with part of his lip clean and part of it covered, Gilbride said, there was no option but euthanize the rest of the mustache. 

“It was difficult,” Gilbride said. “But at that point, I had no choice.” 

Not surprisingly, the mustache’s sudden demise prompted emotional responses. Gilbride’s mustache had a storied career, at one point being the target of an infamous punch from Buddy Ryan on the sideline in 1994, but more recently featuring prominently as the Giants won N.F.L. titles during the 2007 and 2011 seasons.

Gilbride did not address the accident with his players when he ran the offensive unit meeting a day afterward, but said he could tell just by looking around the room that the loss made an impact. 

“It was just shocking,” the Giants backup quarterback David Carr said. “I think it’s bigger than if it happened to Tom Selleck, honestly. It had been there so long you almost wondered, like, what’s under there?” 

In the days since, fans have expressed dismay. Representatives from the company Party City even sent a fake white mustache to the Giants as a possible replacement so that Gilbride would not feel uncomfortable, though Gilbride declined to wear it. 

“When we lost to Dallas, they sent more!” Gilbride said. “Believe me, if I knew that was why we won the Super Bowls, I’d wear them.” 

Gilbride added that his granddaughter, upon seeing him sans mustache, remarked, “Pop, you look weird!”

Initially, Gilbride said, his plan was to regrow the mustache from scratch. After several players, including offensive lineman Chris Snee, told him that he looked “5 to 10 years younger now,” he is reconsidering.

Going cleanshaven would be significant. Gilbride first grew the mustache as a student at Southern Connecticut State in the early 1970s, he said, noting that “at that time, with everything that was going on in the world, everyone was doing something.” It fit well, he said, with his long, curly hair then and helped offset what he said was a pronounced baby face. He had had it ever since, he said, save for a two-year “California phase” when he was the head coach of the San Diego Chargers from 1997 to 1998. 

“In the beginning, I wanted it because it made me look older,” he said. “Now, it’s the opposite. So I’m not sure what I’m going to do.” 

While perhaps not as famous as other mustaches in the sports world — even at its peak, Gilbride’s was never as popular as, say, that of the former Met Keith Hernandez — it nonetheless resonated within the mustachioed community. 

Aaron Perlut, the chairman of the American Mustache Institute, said in an interview that Gilbride’s mustache was a perfect example of the so-called Chevron design, which is “your standard-issue, law enforcement-style mustache.” Perlut admired Gilbride’s consistency, he said, as Gilbride stuck with the same look throughout his career, eschewing styles used by other N.F.L. personalities like “Andy Reid’s walrus or Shad Khan’s Mario Brothers Handlebar.” 

Perlut added that the institute was saddened to hear of Gilbride’s loss but hoped the coach would reconsider his decision to potentially remain hairless around the mouth. 

“We’d remind Mr. Gilbride that there are religious ramifications,” Perlut said. “According to the Dead Sea Scrolls, each time a mustache is shaved an angel falls to Earth from Heaven.” 

	Evan Pinkus He is considering regrowing his mustache after a shaving accident last month.

Evan Pinkus

He is considering regrowing his mustache after a shaving accident last month.

 Survivors in the Giants’ locker room include defensive tackle Rocky Bernard’s well-kept growth, known as a Skyraider, according to the mustache institute Web site. Asked if his son, Kevin Jr., who is also a Giants coach, would consider growing a mustache, Gilbride shook his head. “He’s cleanshaven all the way, I think,” Gilbride said. 

Giants players, especially veterans who have been around Gilbride for many years, expressed disbelief about the possibility the mustache might not return. Kevin Boothe, an offensive lineman, said he was stunned when he first saw Gilbride without it and did not know what to say. 

“At first, I just kept staring because I knew something was different but I just couldn’t figure out what — it was like it didn’t even occur to me that it could be the mustache,” Boothe said. “It took a while to sink in. I remember seeing him on TV, way back when, and that mustache was there. It was always there. It was epic.” 

 

Hair News Network

Lady Gaga shaved her head as a tribute to her friend's late mother

 



These pictures were posted on Twitter by Lady Gaga.

Born This Way singer Lady Gaga unveiled her dramatic new hairdo on Twitter recently, explaining it was to honour her close friend Terry Richardson's mum Annie Lomax, who passed away aged 74.

The eccentric pop star posted a photograph of the back of her head on the social network, revealing a large shaved section at the bottom, along with a caption which references her new track Princess D.I.E, a tribute to the late Princess Diana.

Lady Gaga wrote: "I did it for u Terry. I'm sorry about ure mommy. She has princess die, but were all princess high."

The 26-year-old superstar was keen to prove to her fans she hadn't cut all her hair off, adding a picture of her with her long brown hair in a top knot. She commented: "But we still have glamour in the front."

Lady Gaga and renowned photographer Terry - who is best known for shooting raunchy pictures of the likes of Lindsay Lohan and Kate Moss - have been friends for years, and he was the mastermind behind her Monster Ball tour photo book, Lady Gaga X Terry Richardson.

Terry has documented his mother's last moments on film on his Tumblr page, where he wrote: "R.I.P. Annie Lomax, My Mom 1938-2012."

Lady Gaga is famed for her ever-changing look and collection of wigs, rocking blonde, orange, grey and pink hair in the last year alone.

Lady Gaga caused a stir in August by dyeing her hair a natural-looking shade of brown.

She tweeted at the time: "Definitely feeling less blond lately and little more progressive brunette. I am LOUIS VUITTON BROWN. B**** THATS LV."

 

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Two for the Runway! New York Fashion Week Beauty Team: Guido Palau and Diane Kendal

Emily Berl for The New York Times

Guido Palau, a hairstylist, and Diane Kendal, a makeup artist, are longtime friends from England who often work together.

Those looks, and countless before and since, were created by Guido Palau, a hair stylist, and Diane Kendal, a makeup artist: friends for three decades and major forces in the beauty world since the grunge aesthetic of the mid-1990s (bare skin, smudged eyes, bed-head locks).

“They have risen together,” said Sarah Brown, the beauty director of Vogue, adding that some of her favorite recent shoots for the magazine have featured their work, often shot by the photographer David Sims.

Despite their reputations in the fashion industry, the pair went unrecognized on a recent sunny weekday afternoon at Cookshop in Chelsea.

“If there’s a party, we never go,” said Mr. Palau, trim and boyishly dashing at 50 (he once made Out magazine’s 100 most eligible bachelors list).

Over green tea and granola, the two tended to complete each other’s sentences.

“Some people say that if you get to know us, we’re quite similar,” Mr. Palau said.

“Like our intonation and the way we move our hands,” said Ms. Kendal, 52, who has long blond hair and a warm manner. (Mr. Wang described her in an e-mail as “serene, sweet, artistic, strong.”)

She was just back from vacation in Rajasthan, India; Mr. Palau had been in Ibiza, Spain, hanging out with Peter Copping, the Nina Ricci designer, and other friends at a converted farmhouse.

In addition to Mr. Wang’s show, the team is preparing for those of Victoria Beckham and Reed Krakoff. Despite their frequent collaboration, Ms. Kendal and Mr. Palau are represented separately by Art and Commerce, a division of IMG specializing in photography. (Somewhat confusingly, they are also on the roster at the Julian Watson Agency in London, which was founded by Ms. Kendal’s youngest brother. “It was really just to help him get started with the agency,” she said.)

The two friends, both English, met in East London in the early ’80s when it was routine for makeup artists and hair stylists to do repeated test shoots for jobs at edgy magazines like The Face and i-D.

“We were always rolling around our trolleys; it was always raining,” Mr. Palau said.

imaxtree.com

Mr. Palau working at an Alexander Wang show.

Mr. Palau, one of four boys, is from Bournemouth, a seaside town in Dorset; Ms. Kendal, from Wokingham in Berkshire (besides Mr. Watson, she has another brother and a sister). Ms. Kendal attended the London College of Fashion, where she studied theatrical makeup. They lived a block apart in Notting Hill, pitching themselves as a package. At night, they hit the clubs, whose characters like Boy George still inspire their work.

“There were young men dressed head-to-toe in black dresses in full-on makeup,” Ms. Kendal said. “People really created themselves. They were like art pieces.”

Mr. Palau added: “You had the New Romantics, the New Wave and subdivisions of that. So if you were around it, that immediately became your library of information.”

But it took a while to build their careers. Ms. Kendal’s breakthrough came in 1988, when she landed an Italian Vogue shoot with the photographer Albert Watson.

“I was nowhere near that,” Mr. Palau said. “I thought, ‘God, how do I do that?’ It wasn’t competitive, but I didn’t want to be left behind.”

Ms. Kendal moved to Milan, then Paris. Mr. Palau stayed in London and enrolled in the Vidal Sassoon hair academy. He was kicked out after 18 months.

“I was probably intimidated,” Mr. Palau said. “It was a very strong structure. I suppose I wanted to run more rather than be held back.”

Not long after, he landed the gig of a lifetime: the George Michael “Freedom ’90,” video, which featured Cindy Crawford, Linda Evangelista and other supermodels in their prime.

“I have no idea how I got that,” he said, laughing. “George Michael was a huge star then. The models were huge stars.”

 DURING New York Fashion Week, editors will seek standout microtrends like the long, tousled side braid of Alexander Wang’s spring 2010 collection or the glowing sun-kissed complexion and feathery full brow that went with it.

He began working with Mr. Sims and those in the early grunge movement, including Kate Moss, the photographer Corinne Day and the stylist Melanie Ward. Calvin Klein picked up on the look, giving it a mass audience. 

“Hair was coming undone,” Mr. Palau said. “It was when I really started to develop my own style.”

Before long he and Ms. Kendal had both moved to the Chelsea neighborhood of Manhattan, their apartments overlooking Clement Clarke Moore Park. 

Ms. Kendal has since had a daughter and moved to Carroll Gardens, Brooklyn. She cut back on her travel schedule, though she is still responsible for striking beauty moments, like the bright matte coral lip at Jason Wu’s spring 2012 show. 

Mr. Palau has worked with the photographer Steven Meisel, consulted for Redken and created headpieces for the Alexander McQueen “Savage Beauty” exhibition at the Metropolitan Museum of Art. He has occasionally strayed from his partnership with Ms. Kendal, teaming with Pat McGrath instead for shows like Prada and Louis Vuitton in Europe. And Ms. Kendal has partnered with the hairdresser Odile Gilbert. 

For fashion week in Paris, starting later this month, though, the two friends will work backstage together at Sonia Rykiel. But first they have to get through the pressure cooker of Mr. Wang’s show, taking place on Saturday in New York. Were they planning perhaps pallid complexions? Velvety lips? Renaissance ringlets?

“Me and Di, we never talk about work,” Mr. Palau said, before leaving for a pottery class. “We just gossip about nothing and chat about our old age.” 

Stephanie Colgan for The New York Times

Ms. Kendal backstage at a Jason Wu show.

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